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| These guys aren't in the book, but Meloni did offer his praises. |
Which you probably already knew.
But Kill Switch makes that apparent, in my opinion. Others may disagree. And, actually, they did on Amazon, so take this review with a grain of salt and remember that YMMV (your mileage may vary). Kill Switch was written by Neal Baer (producer and showrunner for Law & Order: SVU) and Jonathan Greene (producer and writer for the same). I've always been really fond of L&O:SVU, and I was excited to see that two of the people responsible for the show had written a book. It's their first book, and I think it shows. I also think it's likely that at least one of the authors is related to Charles Dickens, because "Holy unlikely intertwining plot lines, Batman", there's a lot going on here.
But I'm getting ahead of myself.
Kill Switch is the story of a forensic psychologist, Claire Waters, and her first case in a new fellowship program. She quickly decides that her new patient has ties to a string of unsolved murders that Detective Nick Lawler is trying to solve. The two of them get off to a rocky start, but they eventually work well together. Claire has some serious baggage, and Nick has a BIG secret and his own complicated backstory, so they characters are flawed. They're still likable, and if the story had been a straightforward police procedural or psychological thriller, I would have been happy with it. Based on the characters alone I would have probably given the book a high three or low four on a five-star scale.
Alas, in solving the original string of murders, Nick and Claire also solve the decades old crime that is responsible for Claire's baggage. In that process, the entire book takes a super-secret-spy-government-defense-contractor-bio-warfare twist. The plot zigs, and it zags, and then it twists again! There's internal conflict (with both main characters) AND multiple external conflicts. At some point, I figured either Mme. Defarge from A Tale of Two Cities or the Cigarette Smoking Man from The X-Files was going to show up. Again, "Holy unlikely intertwining plot lines, Batman!" It was almost like two TV producers were afraid that absent the moving pictures and tension-building soundtracks of television they couldn't maintain a sense of suspense without adding multiple layers to the story.
Still, I did like Claire and Nick, so I would read another book with these characters. In sticking with my first allusion to a five-star scale, I would give Kill Switch a low three. It's not a bad book, it's just a lot of plot to get through.
